5 Reasons to Support Your Local Community Theater

When I was still in my teens, a friend was directing a community theater production of Once Upon a Mattress, a musical retelling of They desperately needed a spotlight operator, so I obliged. On opening night, as I sat up above the audience, I watched as the people chatted anxiously. I witnessed their hushed awe as the stage manager lowered the houselights. Then, after the curtains were drawn, and the opening number began, I spotted one energetic performer after another. After that night, I was hooked on plays. I didn’t simply fall in love with theater because of its entertainment value. That evening I learned that community theaters benefit not just the audience but the entire community. So, why should you support your local playhouse? Here are a few ideas to consider: Nurture New Artists: Many successful actors, directors, writers, and choreographers have launched their careers in humble, small town playhouses. Just by attending and applauding, audiences give up-and-coming stars the positive feedback they need to continue their artistic pursuits. Also, many community theaters offer classes for children’s productions. The stage develops confidence and responsibility within young performers. In my experience, I have seen the shyest of children improve her communication skills. When I directed children’s shows for a local civic light opera, I met a seven year old girl named Megan who only spoke in whispers; she didn’t have any friends at the beginning of rehearsals. However, the choreographer noticed that she moved very gracefully. We gave her a special dance solo. It boosted her self-esteem. Soon, she was an outgoing, talkative, and friendly part of the cast. Share Valuable Skills: Community theaters need more than just cast members. Anyone that can sew a costume, paint a backdrop, build a staircase, or edit a sound effect is a desirable addition to the company. Novices of a particular skill, such as construction or lighting, can increase their ability by working alongside veteran craftsmen. Likewise, experts can enjoy sharing their knowledge and passing their craftsmanship to the next generation.    Advertise Locally:    Small business owners should financially support playhouses, and not just for altruistic reasons. A good thirty minutes before a show, most audience members spend their time thumbing through the program, inspecting the actor bios. It’s the perfect opportunity to advertise. Theater goers are essentially a captive audience while they scan through the program. Small business can use this time to reach hundreds of potential customers. Ad space is relatively inexpensive and will help the performing arts thrive.    Socialize with New People:    Whether you work as an assistant director, a chorus member, the star of the show or a stagehand, one thing is certain: you will meet new friends. There is something exhilarating about putting on a show. It brings people close together; it tests their skills, and it enlightens audiences. Many lifelong friendships and relationships have been formed while practicing sword fighting, stage-kissing, or falling through a trap door. There is a strong bond with all who band together to put on a play. We become friends because we work as one to tell as story.    Be Part of the Storytelling Process:    Plays are an ancient form of storytelling. It’s a creative ritual still very much alive despite the age of  Youtube. Most community theaters produce time-tested classics such as Man of La Mancha, Death of a Salesman, A Streetcar Named Desire, and Some are light hearted; some are deep and profound. All offer a message to the audience. Classic and contemporary plays speak to us because they explore what it means to be human. Those who participate in the storytelling process can feel proud knowing they are spreading a positive message to their community. So go audition. Offer up your skills. Advertise in the program. Contribute your time and energy. And by all means, go see a show! You’ll become a part of the vibrant, long-cherished tradition of the theatrical storytelling. â€Å"The powerful Play goes on, and you may contribute a verse.† -- Walt Whitman

The Fourteenth Amendment - 945 Words

The Fourteenth Amendment was ratified in 1868. This ratification altered the balance of state and federal power. It prevented states from denying basic civil rights and gave Congress power to implement its assurance of liberty and equality. Despite that each state was required to approve the Fourteenth Amendment which granted â€Å"equal protection† of the Constitution to former slaves, the Ku Klux Klan did not honor this protection. Not only didn’t the Klan disregard the Fourteenth Amendment, the Supreme Court also became unsympathetic to the rights of blacks and wary of congressional interference in state affairs. The Supreme Court severely limited Congress’ civil rights power by tapering interpreting the Fourteenth Amendment, which led to many civil rights being watered down. Bond (2011) shared how whippings where the first torture used on blacks in the south. But, within several weeks, there were bloody turmoil between the Ku Klux Klan and blacks. Dissembling of the Klan Bond (2011) stated by the late 1860s, the Ku Klux Klan greatest strength was the large amounts of ministers, editors, former confederate officers and political leaders who disguised themselves behind white sheets. The most reputed leader and respected in the South was General Nathan Bedford Forrest. Forrest was a legendary, confederate cavalry officer who settled in Tennessee and joined the Klan after it started to become more infamous. Forrest became the first imperial wizard of the Klan.Show MoreRelatedThe Amendment Of The Fourteenth Amendment1416 Words   |  6 PagesRepublican of Ohio had long been a believer in the idea of equal protection of the laws for all people, and was one of the leaders of the effort to pass the Fourteenth Amendment. While aware of the need to prove the constitutionality of the Civil Rights Act with the Fourteenth Amendment, Bingham did not actually believe that the Fourteenth Amendment created any new rights. Rather, he b elieved that it created a new understanding of rights already in the Constitution. Bingham maintained that, â€Å"The†¦equalRead MoreThe Amendment Of The Fourteenth Amendment1875 Words   |  8 PagesThe Fourteenth Amendment stopped unlawful actions by states. It also gave Congress the power to enforce the amendment through new laws that benefited and were fair to everyone. The Fourteenth Amendment represents part of the extension of the power of the national government over the states. It has been cited in more court cases than any other part of the Constitution. It made it possible for new legislation that has protected the rights of many throughout the United States and has helped uphold equalityRead MoreThe Fourteenth And Fourteenth Amendment1018 Words   |  5 PagesThe Thirteenth and Fourteenth Amendment Want to learn how everyone is equal? On May 17, 1954 the United States Supreme Court came to a decision that had immediate repercussions on the lives of black and white American citizens. Historic moment experiences have continually characterized these people into distinct racial and social entities. The thirteenth and fourteenth amendment had a positive affect on the problem of racism and segregation.The thirteenth amendment was created to abolishRead MoreThe Amendment Of The Fourteenth Amendment1532 Words   |  7 PagesAccording to the thirteenth amendment, â€Å"neither slavery nor involuntary servitude, except as a punishment for crime whereof the party shall have been duly convicted, shall exist within the United States, or any place subject to their jurisdiction.† The purpose of the thirteenth amendment was to end slavery or any form of involuntary servitude everywhere among the United States. There was new hope for African Americans throughout the country but unfortunately their freedom had a limit and coincidentallyRead MoreThe Issue Of The Fourteenth Amendment952 Words   |  4 PagesThe Fourteenth Amendment was ratified in 1868 and the amendment was put in place to protect former slaves and their rights in life. The most important part of the amendment reads, â€Å"No state shall ‘deprive a person of life, liberty, or property without due process of law; nor deny to any person†¦ the equal protection of the laws.’† This simple statement has one of the most profound and incredible parts of the United States today. The equal protection of the laws show that there must be equal treatmentRead MoreThe Equal Protection Clause Of The Fourteenth Amendment976 Words   |  4 PagesIt was in this case that the plaintiff, Abigail N. Fisher filed suit against the University of Texas with the claim that the University had violated the Equal Protection Clause of the 13th Amendment. The main question that arose in the q uestion was, â€Å"does the Equal Protection Clause of the Fourteenth Amendment permit the consideration of race in undergraduate admissions decisions†. The overall decision of the Supreme Court was that the University of Texas hadn’t violated the Equal Protection ClauseRead MoreThe Equal Protection Clause Of The Fourteenth Amendment3764 Words   |  16 PagesThe equal protection clause of the Fourteenth Amendment to the Constitution was at first created to protect against racial discrimination, but the Supreme Court later expanded the clause to also providing equal treatment amongst different races. The clause says, â€Å"No state shall†¦deny to any person within its jurisdiction the equal protection of the laws† (U.S. Constitution. Art./Amend. XIV, Sec. 1.) A person could not be discriminated upon solely because of his or her race and if the law treated aRead More The Fourteenth Amendment and Equality Under the Law Essay774 Words   |  4 PagesThe Four teenth Amendment and Equality Under the Law The Fourteenth Amendment was adopted in 1868 as one of the longest amendments to the Constitution with five parts in total. The most significant part is section one. In the very first sentence of section one, ? All persons born or naturalized in the United States and subject to the jurisdiction thereof, as citizens of the United States and of the state where in they reside? citizenship was universalized. The Amendment was designed to prohibitRead MoreThe Equal Protection Clause From The Fourteenth Amendment1137 Words   |  5 PagesThe Equal Protection Clause derives from the Fourteenth Amendment, which specifies â€Å"no state shall deny to any person within its jurisdiction the equal protection of the laws†¦Ã¢â‚¬  As a part of the Reconstruction Amendments, the aforementioned clause was meant to ensure racial equality in the Reconstruction Period and has been applied successfully against the affirmative action. Introduced in United States v. Carolene Products Co., the stri ct scrutiny has been applied to the cases, in which a fundamentalRead MoreThe Importance of the Fourteenth Amendment to the United States Constitution2912 Words   |  12 PagesThe importance of the Fourteenth Amendment to the United States Constitution is such that some have called it the amendment that â€Å"completed the Constitution.† When it was ratified on July 9th, 1868, the amendment became one of legislative cornerstones of the Reconstruction Era, a time in which the Radical Republicans, led by John A. Bingham and Thaddeus Stevens, promulgated a legislative program focused on providing racial equality before the law. Among the laws passed in the Reconstruction Era

Rising Professional Sport Ticket Prices free essay sample

Rising Professional Sport Ticket Prices COMM/105 Rising Professional Sport Ticket Prices The rise of ticket prices for sporting events in America has spiraled out of control into a nosedive that may prove to be impossible to recover from. Dedicated fans of most economic status are becoming more inclined to watch sporting events on television than ever before, turning many families into perpetual couch potatoes. This is a direct result of the current greed of professional sports as a whole and continued rising ticket costs.With price increases ruthlessly applied over the years, the impact of increased ticket prices on middle class, and even professional sports â€Å"sticking it† to their season ticket holders, the effects have become devastating for sports fans. The costs of sporting events in America have soared to an incredible high over the decades. Baseball, basketball, football, and hockey have become important in our society for escape and entertainment for all ages over the history of the United States. When professional sports gained nationwide popularity in the 1950s, ticket prices were tailored to fit the average American’s budget.A major league Baseball ticket averaged a mere $1. 54 in 1950. (Haupert, 2007) In the 1950s, a child of preteen age could afford to attend a professional baseball game on allowance money afforded to him by his parents. In 2009, the average ticket price for a Major League baseball game is a steep $25. 40. (Press, 2008) Those days of â€Å"fun for all† have been put to a violent halt by the owners and proprietors of professional sports. As expected, ticket prices have increased with inflation as with any other consumer product, but the greediness of the owners and those associated has taken over in professional sports.Because of the popularity increasing, owners have felt the need to drastically increase profits at the fans expense. This incredible increase is not applied in Major League baseball exclusively. All professional sports have become greedy for profit by increasing ticket prices to absurd heights; thus leaving the dedicated fans scratching their heads in wonder. With the price increases out of control, the average middle class fan has been shunned out of the opportunity to enjoy a unique experience. The experience to walk through the tunnel of concrete for the first time and witness the monumental structure of a tadium. To smell the hot dogs, popcorn, and various sport required tools like rosin, pine tar, or freshly-cut grass is a memory that would last a lifetime. To be a part of a game that will be set in the record books, and to be able to tell grandchildren, â€Å"I was there when it happened,† is priceless. To have the access to watch a sports idol at a public venue is an incredible experience many children dream about. This dream is being shattered by ticket prices to these venues being too high for the lower and middle class to be able to attend.The National Football League’s Super Bowl, being the biggest American sports event of each year, now has become unreachable for the average consumer. The cost for a Super Bowl ticket in 1969 was a very comfortable and fair $12. In 2008, a Super Bowl ticket was a whopping $700! (MacMillan Lehman, 2008) This price increase is totally uncalled for, but the stadiums are continuing to fill to capacity. Unfortunately, a large portion of the fans that fill stadiums are wealthy, or have saved for years to attend a single event. Fans have complained for years that rising ticket prices- and new stadiums that emphasize boosting revenues through luxury suites and club seats- have been driving the middle class out of the stadiums. † (McCarthy, 2008) With stadiums and arena’s now catering exclusively to the wealthy, middle and lower class are left bitter and shackled to a television for their sports memories and experiences. With the middle class firmly out of the picture, it was time for the owners of sports franchises to focus their greed on season ticket holders.Loyalty is usually rewarded when it comes to dedication to those in power. Unfortunately, those in power in this case are the owners of sports franchises. Owners have decided to award loyal season ticket holders with drastic season ticket increases to pay for the sky-high player salaries and lush new stadium ammenities. For example, in 1993, a New York Mets Major League Baseball season ticket holder paid $5,837 to enjoy a season of Professional Baseball†¦In 2009; it will now cost him $56,700 for the same tickets! Mushnick, 2008) This incredible and scary statistic points out a truth that proponents against price increases don’t enjoy hearing: The aforementioned season ticket holder agreed to continue with the purchase of these tickets! With so many wealthy Americans agreeing to pay ridiculous prices, and the problem continuing to be swept under the rug, it can only get worse. To complain that the prices are too high and continue to pay to attend sporting events is the most frustrating part of the whole issue. The old saying, â€Å"the rich get richer, and the poor get poorer†, is ringing true now in sports. If the sports legends of yesterday could see the state of which professional sports owners greediness have reached, they would be sorely dissapointed. The fact that the players are able to ask and receive more and more money is only hurting the issue and sealing the average sport fans fate. To be a middle or lower class sports fan in America in the 21st century means that you have to be willing to spend hours sitting on the couch with your children to enjoy professional sports. The experience that fills the senses at a professional sports venue is becoming something that only adults can afford to partake in.The cause for the increase in sport ticket prices is not the important item to be addressed, but what the owners, players, and fans can do to bring the price back under reigns for the american consumer of any financial status to enjoy. References Haupert, M. (2007, December 3). The Economic History of Major League Baseball. Retrieved September 27, 2009, from eh. net encyclopedia: http://eh. net/encyclopedia/article/haupert. mlb MacMillan, D. , Lehman, P. (2008). Business Week. Retrieved September 27, 2009, from images. businessweek. com: ttp://images. businessweek. com/ss/08/01/0128_superbowl_tickets/index_01. htm McCarthy, M. (2008, October 17). USA Today. Retrieved September 27, 2009, from usatoday. com: http://www. usatoday. com/sports/2008-10-17-sports-economy_N. htm Mushnick, P. (2008, July 11). New York Post. Retrieved September 27, 2009, from newyorkpost. com: http://www. nypost. com/p/sports/mets/citi_slickers_stBx3xhx392vpvD0rssPWM Press, A. (2008, March 28). espn. Retrieved September 27, 2009, from espn. com: http://sports. espn. go. com/espn/wire? section=mlbid=3317969

Was Prince Hamlet Wacko Essay Example For Students

Was Prince Hamlet Wacko? Essay In Shakespeares Hamlet, the main character offers a puzzling and ambiguous persona. Throughout the play, Hamlet often contradicts himself. He seems to balance the virtues of playing a role, with being true to himself. Further proof of these conflicting personas are demonstrated by his actions and inactions. The ambiguity noted here, lies in two conflicting mannerisms displayed by the young Hamlet: One that is perfectly calm and rational; and another which displays madness. These conflicting behaviors are related within Hamlets internal struggle-to kill Claudius for revenge of his fathers murder; or act responsibly, and await further proof of Claudius guilt. Throughout the play, Hamlet teeters on the brink of insanity induced by his actions, or inactions.Hamlets sanity is clarified, in the first act, by statements and feelings expressed within his dialogue. When asked about his depressed appearance and demeanor by Gertrude, Hamlet replies, Seems, madam? Nay, it is. We will write a custom essay on Was Prince Hamlet Wacko? specifically for you for only $16.38 $13.9/page Order now I know not seems (1037, line 76). This relates the idea that Hamlet is what he appears to be. Later, he clearly makes a statement about his mental health when he commits himself to avenge his fathers murder. This quote allows the reader to follow Hamlets train of thought in regards to his role as student, mourning son, and Prince to the throne:Ill wipe away all trivial fond records, All saws of books, all forms, all pressures past That youth and observation copied there, And thy commandment all alone shall live Within the book and volume of my brain (1054, line 100). Hamlet is stating his utmost commitment to nothing short of revenge of his fathers death. At this juncture in the play, there is little doubt about his state of mind, or intentions. However, the next act belies Hamlets sanity and reason.In act two, Hamlet appears again, although it now becomes apparent he has lost the conviction he demonstrated earlier-to complete his destiny as prescribed by the ghost of his father. During this act, Hamlet spends most of his time reading and talking with Polonius, Guildenstern, Rosencrantz, and the players. Not until the very end of this second act, does Hamlet refer to his filial duty to avenge his father. Instead of carrying out the destiny described by his fathers spirit-role of the vengeful son-Hamlet exhibits insane behaviors. This is illustrated by his statements to Rosencrantz and Guildenstern, I know not-lost my mirth, forgone all custom of exercises. .. (1071, line 282). Hamlet then admits he is merely feigning insanity with, I am but mad north-north-west. When the wind is southerly I know a hawk from a handsaw (1073, line 350). Admitting he is only acting mad, implies he is secure with his plot. Hamlet also seems to portray a willingness to accept this plight with, .. .for there is nothing either good or bad but thinking makes it so (1070, line 241). In this instance, Hamlet is stating that behavior shapes reality. In act two, Hamlet is again prompted towards vengeance-this time by a poignant speech delivered by one of the players. Hamlet responds to this dialogue with, Whats Hecuba to him, or he to Hecuba, That he should weep for her? What would he do Had he motive and cue for passion That I have? (1078, line 515). In this complement to this players acting ability, Hamlet is saying that if he were such an actor he would have killed Claudius by now. Therein, lies the struggle between acting, and actual vengeance, that persists throughout the play until the very end. At this moment, Hamlet avows to avenge his father, I should ha fatted all the region kites With this slaves offal. Bloody, bawdy villain! O, vengeance! What an ass am I! This is most brave, That I, the son of a dear father murdered, Prompted to my revenge by heaven and hell. .. (1079, line 535).Again, Hamlet is questioning not only his sanity, but his role in life. He also questions the purpose of his role-madness or vengeful son? He had already pledged revenge, but again acquiesces, Must like a whore unpack my heart with words And fall a-cursing, like a very drab, A scullion! (1079, line 542). Hence, Hamlet (always wanted to say that!), is now berating role playing, although he now realizes he may provide proof of Claudius guilt through role playing by the players. Hamlet then devises a plan to use the players to condemn Claudius via a play, The plays the thing wherein Ill catch the conscience of the King (1080, line 561). Before the play is performed, Hamlet has an intercourse with Ophelia, and offers some prophetic statements, To be, or not to be. .u960a4067c8ea981bb67116d4309f8469 , .u960a4067c8ea981bb67116d4309f8469 .postImageUrl , .u960a4067c8ea981bb67116d4309f8469 .centered-text-area { min-height: 80px; position: relative; } .u960a4067c8ea981bb67116d4309f8469 , .u960a4067c8ea981bb67116d4309f8469:hover , .u960a4067c8ea981bb67116d4309f8469:visited , .u960a4067c8ea981bb67116d4309f8469:active { border:0!important; } .u960a4067c8ea981bb67116d4309f8469 .clearfix:after { content: ""; display: table; clear: both; } .u960a4067c8ea981bb67116d4309f8469 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u960a4067c8ea981bb67116d4309f8469:active , .u960a4067c8ea981bb67116d4309f8469:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u960a4067c8ea981bb67116d4309f8469 .centered-text-area { width: 100%; position: relative ; } .u960a4067c8ea981bb67116d4309f8469 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u960a4067c8ea981bb67116d4309f8469 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u960a4067c8ea981bb67116d4309f8469 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u960a4067c8ea981bb67116d4309f8469:hover .ctaButton { background-color: #34495E!important; } .u960a4067c8ea981bb67116d4309f8469 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u960a4067c8ea981bb67116d4309f8469 .u960a4067c8ea981bb67116d4309f8469-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u960a4067c8ea981bb67116d4309f8469:after { content: ""; display: block; clear: both; } READ: Starting A Business Essay... Clearly, in this most famous Shakespeare soliloquy, Hamlet displays thoughts of self that questions the worth of living. Moreover, Hamlet recognizes the importance of his affections towards Ophelia, and in regards to Ophelias beauty, Hamlet states That if you be honest and fair, your honesty should admit no discourse to your beauty (1083, line 108). Clearly, Hamlet is saying that indeed, Ophelia can be honest and fair, however; it is virtually impossible to link these two traits, since fairness is an outward trait, while honesty is an inward trait. He further states A, truly, for the power of beauty will sooner transform honesty from what it is to a bawd that the force of honesty can translate beauty into his likeness (1083, line 112).Thus, Hamlet is stating that the inner and outer self cannot be linked, yet acting or role playing, transforms ones inner self to match the exterior show. In this sense, Hamlet would not have any problems taking action, if only he was able to act the part. Hamlet then contradicts himself again when he states God hath given you one face, and you go make yourselves another (1084, line 140). He states that appearance is paramount, but chastises women for changing it. These passages further Hamlets ambiguous nature-he seems to support role playing at one moment, then denounce it the next. It also becomes clear that when Hamlet is in support of role playing, he seems primed for vengeance. While supporting role playing, he says It hath made me mad. I say we will have no more marriages. Those that are married already-all but one-shall live (1084, line 144). The one Hamlet refers to is undoubtedly Claudius-which supports the link of vengeance and role playing. The next scene alludes to similar conflicts, but much more subtly.In this scene, while Hamlet is advising the player on how his lines should be read, he says Suit the action to the word, the word to the action (1086, line 15). If only Hamlet would follow his own advice, would his conflict be subdued. This illustrates the inconsistency within Hamlet, since he maintains separation between word and actions, while advocating that others should not. Hamlet then appraises Horatio for his objectivity and consistency. He also compliments Horatio for being true to himself, not being a role player with, Give me that man That is not passions slave, and I will wear him In my hearts core, ay, in my heart of heart, As I do thee (1088, line 63). At this point, Hamlet has decided he wants Horatio to watch Claudius at the play. Hamlet remains uncertain as to his uncles guilt; moreover, he needs proof. He wants the proof from someone he admires and trusts. Hamlet says to Horatio Observe mine uncle. If his occulted guilt Do not itself unkernnel on one speech, It is a damned ghost we have seen (1088, line 72). The proof that Hamlet requires does not defer from the role that he is supposed to play. It becomes intriguing that Hamlets uncle is to be judged upon how he acts during the play. If Claudius is a consummate actor and does not reveal his guilt, his life will be spared. Yet, Claudius is a poor actor, and when he rises during the play Hamlet reacts with What, frighted with false fire? (1094, line 245). It is as if Hamlet is saying its only a play, it is not real. Hamlet does mention something to this effect with his previous lines Your majesty, and we that have free souls, it touches us not (1093, line 221). This proof drives Hamlet to more words, this time referring to killing, Now I could drink hot blood (1097, line 356). Again, Hamlet associates these actions with that of a role, in this instance, the role of Nero, The soul of Nero enter this firm bosom (1098, line 360). .u3d355df35a031c5556b8ceceba791eba , .u3d355df35a031c5556b8ceceba791eba .postImageUrl , .u3d355df35a031c5556b8ceceba791eba .centered-text-area { min-height: 80px; position: relative; } .u3d355df35a031c5556b8ceceba791eba , .u3d355df35a031c5556b8ceceba791eba:hover , .u3d355df35a031c5556b8ceceba791eba:visited , .u3d355df35a031c5556b8ceceba791eba:active { border:0!important; } .u3d355df35a031c5556b8ceceba791eba .clearfix:after { content: ""; display: table; clear: both; } .u3d355df35a031c5556b8ceceba791eba { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u3d355df35a031c5556b8ceceba791eba:active , .u3d355df35a031c5556b8ceceba791eba:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u3d355df35a031c5556b8ceceba791eba .centered-text-area { width: 100%; position: relative ; } .u3d355df35a031c5556b8ceceba791eba .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u3d355df35a031c5556b8ceceba791eba .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u3d355df35a031c5556b8ceceba791eba .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u3d355df35a031c5556b8ceceba791eba:hover .ctaButton { background-color: #34495E!important; } .u3d355df35a031c5556b8ceceba791eba .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u3d355df35a031c5556b8ceceba791eba .u3d355df35a031c5556b8ceceba791eba-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u3d355df35a031c5556b8ceceba791eba:after { content: ""; display: block; clear: both; } READ: Isolation Precautions Essay Again later, Hamlet talks himself out of character and does not kill Claudius. He puts it off until later days and states When he is drunk asleep, or in his rage, Or in th incestuous pleasure of his bed, At game a-swearing, or about some act That has no relish of salvation in t-Then trip him, that his heels may kick at heaven, And that his soul may be damned and black (1101, line 88). Hamlet is awaiting Claudius to fit the part of the villain. His action is virtually paralyzed whenever something or someone does not fit the part. Hamlet needs his revenge to be dramatic, so that he can finally get into his role and play it out.After Hamlet backs out of killing Claudius, he says to his mother O shame, where is thy blush? (1104, line 85). Here, he is voicing his displeasure for his mother not only marrying his uncle, but for not being true to herself. Again, Hamlet is contradicting himself. He has been-throughout the first two-thirds of this play-ambiguous and untrue to himself. At this juncture, he is still uncertain as to how to proceed. Hamlet is caught in his inner turmoil of acting out his role, and objectivity. Finally, Hamlets thoughts and actions are placed in order, and he makes the decision to uphold the destiny his father had proclaimed. Hamlet makes this momentous decision while watching the soldiers going off to battle, The imminent death of twenty thousand men That for fantasy and a trick of fame, Go to their graves like beds, fight for a plot Whereon the numbers cannot try the cause, Which is not tomb enough and continent To hide the slain? O, from this time forth My thoughts be bloody or be nothing worth! (1116, line 62).Hamlet reasons that these soldiers fight and die simply because that is there fate-regardless if the plot of land is insignificant. He realizes what his role is. Hence, he does not falter in his conviction upon his return from England, and fully embraces his role. Upon his confrontation with Laertes, he says This is I, Hamlet the Dane (1138, line 236)meaning the true King of Denmark. This action by Hamlet is appropriate for someone as wronged as he was. In his reaction to Ophelias death, Hamlet again displays behavior that reinforces his role. She was his true love interest, and perhaps loved her more than her brother. This is illustrated by Hamlets statement I loved Ophelia. Forty thousand brothers Could not with all their quantity of love Make up my sum (1139, line 251). Hamlet concedes that he should have loved her, but did not. Had Hamlet truly loved Ophelia, he would not have treated her so harshly. Hamlet is now committed to role playing, and portraying love for her at this time, fits the role.In the remaining scenes of this play, Hamlet is steadfast in his role. He has but moments to relate to Horatio his tale of escape, before he is challenged by Laertes. Hamlet is left without options, in regards to Laertes challenge-he must defend his honor. Hamlet enters this match, but more importantly, accepts the role of his destiny-to kill Claudius, and avenge the death of his father.Survival in this play is based on ones ability to role play. Polonius was unable to adhere to his role of adviser, and attempted to convince Claudius that Hamlet was enamored with his daughter. This led Polonius to spy on Hamlet, and since he was not successful in that venture, it cost him his life. Ophelia obviously was unable to bear the burden of her fathers death, and that her true love was the one who had killed him. This resulted in her obvious delve into insanity, which resulted in her death. Claudius was unable to successfully conceal his guilt, thus Hamlet had the proof he needed to confront him. Yet, the irony of Shakespeares tragedy lies within the main character. If Hamlet had acted as the ghost of his father had initially ordained, no one except Claudius would have perished. Therefore, Hamlet merely verged on the brink of madness-spurned by his quest for the truth, that lies within us all. Was Prince Hamlet Wacko Essay Example For Students Was Prince Hamlet Wacko Essay Essay written by emailprotected In Shakespeares Hamlet, the main character offers a puzzling and ambiguous persona. Throughout the play, Hamlet often contradicts himself. He seems to balance the virtues of playing a role, with being true to himself. Further proof of these conflicting personas are demonstrated by his actions and inactions. The ambiguity noted here, lies in two conflicting mannerisms displayed by the young Hamlet: One that is perfectly calm and rational; and another which displays madness. These conflicting behaviors are related within Hamlets internal struggle-to kill Claudius for revenge of his fathers murder; or act responsibly, and await further proof of Claudius guilt. Throughout the play, Hamlet teeters on the brink of insanity induced by his actions, or inactions. We will write a custom essay on Was Prince Hamlet Wacko specifically for you for only $16.38 $13.9/page Order now Hamlets sanity is clarified, in the first act, by statements and feelings expressed within his dialogue. When asked about his depressed appearance and demeanor by Gertrude, Hamlet replies, Seems, madam? Nay, it is. I know not seems (1037, line 76). This relates the idea that Hamlet is what he appears to be. Later, he clearly makes a statement about his mental health when he commits himself to avenge his fathers murder. This quote allows the reader to follow Hamlets train of thought in regards to his role as student, mourning son, and Prince to the throne:Ill wipe away all trivial fond records, All saws of books, all forms, all pressures past That youth and observation copied there, And thy commandment all alone shall live Within the book and volume of my brain (1054, line 100). Hamlet is stating his utmost commitment to nothing short of revenge of his fathers death. At this juncture in the play, there is little doubt about his state of mind, or intentions. However, the next act belie s Hamlets sanity and reason. In act two, Hamlet appears again, although it now becomes apparent he has lost the conviction he demonstrated earlier-to complete his destiny as prescribed by the ghost of his father. During this act, Hamlet spends most of his time reading and talking with Polonius, Guildenstern, Rosencrantz, and the players. Not until the very end of this second act, does Hamlet refer to his filial duty to avenge his father. Instead of carrying out the destiny described by his fathers spirit-role of the vengeful son-Hamlet exhibits insane behaviors. This is illustrated by his statements to Rosencrantz and Guildenstern, I know not-lost my mirth, forgone all custom of exercises (1071, line 282). Hamlet then admits he is merely feigning insanity with, I am but mad north-north-west. When the wind is southerly I know a hawk from a handsaw (1073, line 350). Admitting he is only acting mad, implies he is secure with his plot. Hamlet also seems to portray a willingness to accept this plight with, for there is nothing either good or bad but thinking makes it so (1070, line 241). In this instance, Hamlet is stating that behavior shapes reality. In act two, Hamlet is again prompted towards vengeance-this time by a poignant speech delivered by one of the players. Hamlet responds to this dialogue with, Whats Hecuba to him, or he to Hecuba, That he should weep for her? What would he do Had he motive and cue for passion That I have? (1078, line 515). In this complement to this players acting ability, Hamlet is saying that if he were such an actor he would have killed Claudius by now. Therein, lies the struggle between acting, and actual vengeance, that persists throughout the play until the very end. At this moment, Hamlet avows to avenge his father, I should ha fatted all the region kites With this slaves offal. Bloody, bawdy villain! O, vengeance! What an ass am I! This is most brave, That I, the son of a dear father murdered, Prompted to my revenge by heaven and hell (1079, line 535). Again, Hamlet is questioning not only his sanity, but his role in life. He also questions the purpose of his role-madness or vengeful son? He had already pledged revenge, but again acquiesces, Must like a whore unpack my heart with words And fall a-cursing, like a very drab, A scullion! (1079, line 542). Hence, Hamlet (always wanted to say that!), is now berating role playing, although he now realizes he may provide proof of Claudius guilt through role playing by the players. Hamlet then devises a plan to use the players to condemn Claudius via a play, The plays the thing wherein Ill catch the conscience of the King (1080, line 561). Before the play is performed, Hamlet has an intercourse with Ophelia, and offers some prophetic statements, To be, or not to be. Clearly, in this most famous Shakespeare soliloquy, Hamlet displays thoughts of self that questions the worth of living. Moreover, Hamlet recognizes the importance of his affections towards Ophelia, and in regards to Ophelias b eauty, Hamlet states That if you be honest and fair, your honesty should admit no discourse to your beauty (1083, line 108). Clearly, Hamlet is saying that indeed, Ophelia can be honest and fair, however; it is virtually impossible to link these two traits, since fairness is an outward trait, while honesty is an inward trait. He further states A, truly, for the power of beauty will sooner transform honesty from what it is to a bawd that the force of honesty can translate beauty into his likeness (1083, line 112). .u04ed2579e18dd4e612c540edb8d07c67 , .u04ed2579e18dd4e612c540edb8d07c67 .postImageUrl , .u04ed2579e18dd4e612c540edb8d07c67 .centered-text-area { min-height: 80px; position: relative; } .u04ed2579e18dd4e612c540edb8d07c67 , .u04ed2579e18dd4e612c540edb8d07c67:hover , .u04ed2579e18dd4e612c540edb8d07c67:visited , .u04ed2579e18dd4e612c540edb8d07c67:active { border:0!important; } .u04ed2579e18dd4e612c540edb8d07c67 .clearfix:after { content: ""; display: table; clear: both; } .u04ed2579e18dd4e612c540edb8d07c67 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u04ed2579e18dd4e612c540edb8d07c67:active , .u04ed2579e18dd4e612c540edb8d07c67:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u04ed2579e18dd4e612c540edb8d07c67 .centered-text-area { width: 100%; position: relative ; } .u04ed2579e18dd4e612c540edb8d07c67 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u04ed2579e18dd4e612c540edb8d07c67 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u04ed2579e18dd4e612c540edb8d07c67 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u04ed2579e18dd4e612c540edb8d07c67:hover .ctaButton { background-color: #34495E!important; } .u04ed2579e18dd4e612c540edb8d07c67 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u04ed2579e18dd4e612c540edb8d07c67 .u04ed2579e18dd4e612c540edb8d07c67-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u04ed2579e18dd4e612c540edb8d07c67:after { content: ""; display: block; clear: both; } READ: History of the Atomic Bomb EssayThus, Hamlet is stating that the inner and outer self cannot be linked, yet acting or role playing, transforms ones inner self to match the exterior show. In this sense, Hamlet would not have any problems taking action, if only he was able to act the part. Hamlet then contradicts himself again when he states God hath given you one face, and you go make yourselves another (1084, line 140). He states that appearance is paramount, but chastises women for changing it. These passages further Hamlets ambiguous nature-he seems to support role playing at one moment, then denounce it the next. It also becomes clear that when Hamlet is in support of r ole playing, he seems primed for vengeance. While supporting role playing, he says It hath made me mad. I say we will have no more marriages. Those that are married already-all but one-shall live (1084, line 144). The one Hamlet refers to is undoubtedly Claudius-which supports the link of vengeance and role playing. The next scene alludes to similar conflicts, but much more subtly. In this scene, while Hamlet is advising the player on how his lines should be read, he says Suit the action to the word, the word to the action (1086, line 15). If only Hamlet would follow his own advice, would his conflict be subdued. This illustrates the inconsistency within Hamlet, since he maintains separation between word and actions, while advocating that others should not. Hamlet then appraises Horatio for his objectivity and consistency. He also compliments Horatio for being true to himself, not being a role player with, Give me that man That is not passions slave, and I will wear him In my hearts core, ay, in my heart of heart, As I do thee (1088, line 63). At this point, Hamlet has decided he wants Horatio to watch Claudius at the play. Hamlet remains uncertain as to his uncles guilt; moreover, he needs proof. He wants the proof from someone he admires and trusts. Hamlet says to Horatio Observe mine uncle. If his occulted guilt Do not itself unkernnel on one speech, It is a damned ghost we have seen (1088, line 72). The proof that Hamlet requires does not defer from the role that he is supposed to play. It becomes intriguing that Hamlets uncle is to be judged upon how he acts during the play. If Claudius is a consummate actor and does not reveal his guilt, his life will be spared. Yet, Claudius is a poor actor, and when he rises during the play Hamlet reacts with What, frighted with false fire? (1094, line 245). It is as if Hamlet is saying its only a play, it is not real. Hamlet does mention something to this effect with his previous lines Your majesty, and we that have free souls, it touches us not (1093, line 221). This proof drives Hamlet to more words, this time referring to killing, Now I could drink hot blood (1097, line 356). Again, Hamlet associates these actions with that of a role, in this instance, the role of Nero, The soul of Nero enter this firm bosom (1098, line 360). Again later, Hamlet talks himself out of character and does not kill Claudius. He puts it off until later days an d states When he is drunk asleep, or in his rage, Or in th incestuous pleasure of his bed, At game a-swearing, or about some act That has no relish of salvation in t-Then trip him, that his heels may kick at heaven, And that his soul may be damned and black (1101, line 88). Hamlet is awaiting Claudius to fit the part of the villain. His action is virtually paralyzed whenever something or someone does not fit the part. Hamlet needs his revenge to be dramatic, so that he can finally get into his role and play it out. .u9f973ebc1dad8e313a995128c4b79ae3 , .u9f973ebc1dad8e313a995128c4b79ae3 .postImageUrl , .u9f973ebc1dad8e313a995128c4b79ae3 .centered-text-area { min-height: 80px; position: relative; } .u9f973ebc1dad8e313a995128c4b79ae3 , .u9f973ebc1dad8e313a995128c4b79ae3:hover , .u9f973ebc1dad8e313a995128c4b79ae3:visited , .u9f973ebc1dad8e313a995128c4b79ae3:active { border:0!important; } .u9f973ebc1dad8e313a995128c4b79ae3 .clearfix:after { content: ""; display: table; clear: both; } .u9f973ebc1dad8e313a995128c4b79ae3 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u9f973ebc1dad8e313a995128c4b79ae3:active , .u9f973ebc1dad8e313a995128c4b79ae3:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u9f973ebc1dad8e313a995128c4b79ae3 .centered-text-area { width: 100%; position: relative ; } .u9f973ebc1dad8e313a995128c4b79ae3 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u9f973ebc1dad8e313a995128c4b79ae3 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u9f973ebc1dad8e313a995128c4b79ae3 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u9f973ebc1dad8e313a995128c4b79ae3:hover .ctaButton { background-color: #34495E!important; } .u9f973ebc1dad8e313a995128c4b79ae3 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u9f973ebc1dad8e313a995128c4b79ae3 .u9f973ebc1dad8e313a995128c4b79ae3-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u9f973ebc1dad8e313a995128c4b79ae3:after { content: ""; display: block; clear: both; } READ: Looking Out The Window EssayAfter Hamlet backs out of killing Claudius, he says to his mother O shame, where is thy blush? (1104, line 85). Here, he is voicing his displeasure for his mother not only marrying his uncle, but for not being true to herself. Again, Hamlet is contradicting himself. He has been-throughout the first two-thirds of this play-ambiguous and untrue to himself. At this juncture, he is still uncertain as to how to proceed. Hamlet is caught in his inner turmoil of acting out his role, and objectivity. Finally, Hamlets thoughts and actions are placed in order, and he makes the decision to uphold the destiny his father had proclaimed. Hamlet makes this mom entous decision while watching the soldiers going off to battle, The imminent death of twenty thousand men That for fantasy and a trick of fame, Go to their graves like beds, fight for a plot Whereon the numbers cannot try the cause, Which is not tomb enough and continent To hide the slain? O, from this time forth My thoughts be bloody or be nothing worth! (1116, line 62). Hamlet reasons that these soldiers fight and die simply because that is there fate-regardless if the plot of land is insignificant. He realizes what his role is. Hence, he does not falter in his conviction upon his return from England, and fully embraces his role. Upon his confrontation with Laertes, he says This is I, Hamlet the Dane (1138, line 236)meaning the true King of Denmark. This action by Hamlet is appropriate for someone as wronged as he was. In his reaction to Ophelias death, Hamlet again displays behavior that reinforces his role. She was his true love interest, and perhaps loved her more than her brother. This is illustrated by Hamlets statement I loved Ophelia. Forty thousand brothers Could not with all their quantity of love Make up my sum (1139, line 251). Hamlet concedes that he should have loved her, but did not. Had Hamlet truly loved Ophelia, he would not have treated her so harshly. Hamlet is now committed to role playing, and portraying love for her at this tim e, fits the role. In the remaining scenes of this play, Hamlet is steadfast in his role. He has but moments to relate to Horatio his tale of escape, before he is challenged by Laertes. Hamlet is left without options, in regards to Laertes challenge-he must defend his honor. Hamlet enters this match, but more importantly, accepts the role of his destiny-to kill Claudius, and avenge the death of his father. Survival in this play is based on ones ability to role play. Polonius was unable to adhere to his role of adviser, and attempted to convince Claudius that Hamlet was enamored with his daughter. This led Polonius to spy on Hamlet, and since he was not successful in that venture, it cost him his life. Ophelia obviously was unable to bear the burden of her fathers death, and that her true love was the one who had killed him. This resulted in her obvious delve into insanity, which resulted in her death. Claudius was unable to successfully conceal his guilt, thus Hamlet had the proof he needed to confront him. Yet, the irony of Shakespeares tragedy lies within the main character. If Hamlet had acted as the ghost of his father had initially ordained, no one except Claudius would have perished. Therefore, Hamlet merely verged on the brink of madness-spurned by his quest for the truth, that lies within us all. Bibliography: